OLIVERIO DUHALDE

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                                                                           https://linktr.ee/oliverioduhalde

 

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    Oliverio H. Duhalde (1974) is a transmedia artist, bioartist, composer, sound designer, and sculptor. His work explores the dynamic relationship between sound, space, material, form, and movement. As a composer, he has created numerous orchestral, electroacoustic, chamber, and lyrical pieces for radio, theatre, film, performance, and transmedia artworks. As an artist, he has developed and exhibited
interventions, installations, performances, and sound sculptures. His practice merges traditional materials such as wood, metal, and paper with software, electricity, information, life and kinetics, creating original approaches to form, space, audience, and aesthetic experience.

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ACADEMIC BACKROUND 

 

    He obtained a bachelor's degree in Orchestral Conducting from the Faculty of Arts and Musical Sciences at UCA and pursued postgraduate studies in sound production and engineering at AES. He has recently completed his doctoral thesis in Composition (compositional techniques applied to sound art) — October 2025. He created and directed the bachelor's program in Film Music at UCA, where he has served as a researcher, full professor, and Director of the Music and Technology Department. As a visual and new media artist, he participated in the artist program at Universidad Torcuato Di Tella in the workshops of Diego Bianchi and Mónica Girón, as well as in Fundación Telefónica’s Interactivos program led by Mariano Sardón and Rodrigo Alonso, among others.

 

PRODUCTION

 

    In 2001, he founded Segno Soundtrack Design (www.segnosound.com), producing over 300 original soundtrack designs to date, spanning audiovisual media, theater, and installation art. As a record producer, he has produced and released 11 albums. As a concert music composer, he has premiered numerous electroacoustic, chamber, and symphonic works, as well as an opera, in Argentina, Brazil, Chile, the United States, and Europe. As a sound artist and sculptor, he has created solo and collaborative installations, interventions, and sculptures, participating in numerous exhibitions both in Argentina and abroad.

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PRIZES     

 

    Awards and distinctions include: Antorchas Grant for the opera Wallontu Mapu (2003); “Best Short Documentary” at Divercine (Montevideo, 2004); UNESCO Prize for Pas-par-tu (2004); nomination for the Teatros del Mundo Award (Best Music category, C.C. Rojas, 2005); Telefónica Prize for Artistic Creation for the installation project BIOSONORA (2007); Prix Jeunesse International “First Prize” (2003 and 2009); Interactivos Workshop Grant (2012) and Production Incentive Award (2013) from Fundación Telefónica
Argentina; Honorable Mention at the CeArTec Award (2014) for the VOLVOX project; Argentine Fund for Cultural Development for the project MicRA – Collective Creation and Microscopic Experimentation Laboratory; National Fund for the Arts Prize (2016); Cultural Innovation Award (Ministry of Culture, 2016); Samsung Innova Finalist (2017 and 2018); National Fund for the Arts Awards (2018) for Musicbot and MicRA; Now Play This (2023), London; Programa Presente Continuo (2025). Patronage-supported projects include: Dandelion (2013), Volvox (2015), Propagación (2015), KLOK (2016), Banda de Robots (2018), MicRA (2018), and Omphalos (2019).

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OLIVERIO  H. DUHALDE (Detailed C.V.)

 

Academic Backround

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2025 – Doctoral Thesis: Compositional Algorithms Applied to Sound Art (Defense scheduled for August 2025)
2024 – Python Programming Course (Intermediate Level), University of Michigan (online)
2023 – CNC Sculpture Workshop
2019 – Seminar: Introduction to Computer Science CS50, University of Cambridge (online)
2019 – Seminar: New Technologies Applied to Pedagogy (UCA)
2019 – Seminar: Philosophical-Theological Pedagogy (UCA)
2019 – Seminar: Leadership and Motivation (UCA)
2019 – Seminar: Pedagogy and Didactics (UCA)
2017 – Seminar on Electroacoustic Music Analysis
2016 – Cultural Innovation Course (CICE)
2013 – Robotics Course, Robot Group
2012 – Workshop Interactivos 2012, with Mariano Sardón and Rodrigo Alonso (Fundación Telefónica Argentina)
2011 – Workshop Formar, with Mónica Girón (Artist Program, Universidad Torcuato Di Tella)
2011 – Workshop Antiproyecto, with Diego Bianchi (Artist Program, Universidad Torcuato Di Tella)
2010 – Postgraduate Seminar: Assisted Composition and Real-Time Sound and Music Processing (UCA)
2009 – Postgraduate Seminar: Mathematics Applied to Music Composition (UCA)
2009 – Postgraduate Seminar: The Dramatic-Musical Thought of Mozart: From Idomeneo to La Clemenza di Tito – A
Global View of the Last Seven Operas, by Fr. Dr. Fernando Ortega (UCA)
2009 – Postgraduate Seminar: Research Methodology (Fr. Leocata)
2009 – Postgraduate Seminar: Contemporary Compositional Thinking (Dr. Ortíz de Zárate, UCA)
2009 – Seminar: Sound Art (Manuel Rocha Iturbide, CCEBA)
2009 – Course: Electronics Applied to Art with Arduino (Diego Diez, CCEBA)
2006 – Seminar: Music and Visual Arts – Interinfluences and Interconnections (Dr. Cintia Cristiá)
2006 – Seminar: The Soundtrack (Carmelo Saita, UCA)
2001–2002 – Advanced Course in Music Production (Audio Engineering Society)
2001 – Bachelor’s Degree in Music, Specialization in Orchestral Conducting (UCA)
2000 – International Seminar: Sound System Setup (Audio Engineering Society)
1999 – 2nd International Seminar Sound Pro 99 (Audio Engineering Society)
1996 – Introduction to Sound Postproduction for Video (UCA)
1996 – Seminar: Choral Composition (M. Lambertini, UCA)
1995 – Seminar: Sight-Reading Improvement in Choirs (UCA)
1994 – Entry to CCMPU, Faculty of Arts and Musical Sciences, Universidad Católica Argentina (UCA)

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Exhibitions, Concerts, Performances, and Workshops

 

2025 – ASTRO.LOG.IO, immersive installation, Praxis Gallery, Buenos Aires, Argentina

2025 – Participation with Banda de Robots at MAD AI Camp, UdeSA, Argentina

2024 – TOTEM, video installation, Cultural San Martín, Buenos Aires, Argentina

2024 – TUNEL, immersive installation with Ariel Witner and J.P. Ferlat

2024 – Workshop: Banda de Robots, Cultural San Martín, Buenos Aires, Argentina

2023–24 – ASTRO.LOG.IO, immersive installation, Now Play This Festival, London, UK

2023 – Immersive sound design for Radical Care, Ars Electronica Festival, Linz, Austria

2023 – Immersive and interactive dome performance, Wave IA (Electric Factory), Parque de Innovación, Buenos Aires

2022 – MicRA live performances at Tecnópolis and Pavilion 0+∞ (UBA)

2021 – MicRA live performance and Omphalos exhibition, Proyecto BIOS and First Argentine Bioart Biennial

2020 – Banda de Robots performance on Playground/Chevrolet (Instagram Live)

2020 – Micropraxiscopio live performance on Facebook

2020 – Sound installation (ellas) at Facebook Argentina headquarters

2019 – Cubo Periódico, public space intervention, Puerto Madero, Buenos Aires

2019 – Banda de Robots workshops: CCEBA (4), UCA (3), and presentation at Mundo Universitario

2018 – DANDELION exhibition, Salón Nacional de Artes Visuales

2018 – Micropraxiscopio, La Noche de los Museos

2018 – Propagación installation, Casa del Bicentenario (FASE 9.0)

2018 – Propagación presentation at Rosario Planetarium

2017 – MicRA presentation, Aula Magna, Ciudad Universitaria, UBA

2017 – Propagación exhibition, Universidad Católica Argentina

2016 – VOLVOX III installation, FASE 8.0, Centro Cultural Recoleta

2016 – MicRA and Micronatura exhibitions and performances at C3 (MINCyT), CCR, Facultad de Ciencias Exactas (UBA)

2015 – Halo Seeker installation (MicRA), C3 (MINCyT), Buenos Aires

2015 – DANDELION III, group show Amalgama, Bolsa de Comercio, Buenos Aires

2015 – DANDELION installation, Sónar+D Festival, Usina del Arte

2015 – Participation with MicRA collective in La Noche de los Museos

2015 – DANDELION at FASE, CCR (GCBA Patronage)

2015 – Robots en Concierto, robotics & music workshop, Fundación Telefónica

2015 – VOLVOX II, CeArTec Award exhibition, Centro Cultural San Martín

2015 – Sound design for Horizontes de Deseo, MAR Museum, Mar del Plata

2014 – VOLVOX bio-installation, La Noche de los Museos, Ciudad Universitaria

2014 – Sound design for Estado de Emergencia by Charly Nijensohn, Fundación Telefónica

2013 – Variaciones Tecnológicas II, Museo Castagnino, Rosario

2013 – DANDELION, sound sculpture, Fundación Telefónica, Buenos Aires

2012 – Cantos del Sapo, permanent sound installation, Instituto de Biología y Medicina Experimental, Buenos Aires

2011 – Sound design for Ficus Benjamina by Martín Bonadeo, Dacil Gallery, Buenos Aires

2010 – La Grieta de Luz, ensemble and projections, Teatro General San Martín

2008 – Sound design for Moebius Display and Pasto Termosintético by Martín Bonadeo, Bienal de Sevilla, arteBA

Petrobras Prize, and Isidro Miranda Gallery

2007 – Moebius Display, Itaú Cultural, São Paulo, Brazil

2006 – Intimación, site-specific sound installation, Correo Central, Buenos Aires

2006 – Moebius Display, Fundación Telefónica/MAMBA/LIMBO

2005 – Wallontu Mapu, experimental opera for voice, string quartet, and quadraphonic system, Planetario Galileo Galilei

2004 – Estudio Rítmico V, chamber work premiered by S. Grosny, CCR

2004 – Soundscape II, sound installation, Centro Cultural Rojas

2001 – Soundscapes 2001, Ginastera Hall, UCA

2001 – Sound montage for Urbanus, installation by Amalia Pérez Mole

2000 – String Quartet #1, premiered at Centro Cultural Recoleta

2000 – Three Fantasias for Clarinet and Piano, premiered by Hugo Pierre, UCA

1999 – Variations for Piano, premiered by F. Wimman, UCA

1998 – Oración for mixed a cappella choir, premiered at Iglesia de La Merced, Buenos Aires

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Awards and Distinctions

 

2025 – Selected for Programa Presente Continuo (Fundación Bunge & Born, Fundación Williams)
2023 – Selected artist, Now Play This, Somerset House, London
2019 – Omphalos bio-installation, supported by Mecenazgo GCBA
2018 – Banda de Robots, supported by Mecenazgo GCBA
2018 – Micronatura, supported by Mecenazgo GCBA (with the MicRA collective)
2018 – National Fund for the Arts (FNA) Grant for Musicbot (co-directed with Federico Wiman)
2018 – National Fund for the Arts (FNA) Grant for MicRA (with Patricia Saragüeta and the MicRA collective)
2018 – Finalist, Samsung Innova (second nomination) for Banda de Robots
2017 – Finalist, Samsung Innova for Banda de Robots
2016 – KLOK, declared of cultural interest by Mecenazgo GCBA
2016 – Cultural Innovation Award, Fondo Cultura Nación
2016 – Bicentennial Grant, National Fund for the Arts (FNA)
2015 – Propagación, declared of cultural interest by Mecenazgo GCBA
2015 – Volvox, declared of cultural interest by Mecenazgo GCBA
2015 – Argentine Cultural Development Fund: MicRA – Laboratory of Collective Creation and Microscopic Experimentation
2014 – Honorable Mention, ArCiTec Award for Volvox bio-installation
2013 – DANDELION, declared of cultural interest by Mecenazgo GCBA
2013 – Production Award, Fundación Telefónica, for the sound sculpture DANDELION
2012 – Interactivos 2012 Grant, Fundación Telefónica Argentina
2009 – First Prize, Prix Jeunesse International for Civilizaciones – China
2007 – Telefónica Artistic Creation Award for the installation project BIOSONORA
2006 – Silver Pencil Award for the commercial SI-NO
2006 – Nomination, Teatros del Mundo Award (Best Music), Centro Cultural Rojas
2004 – UNESCO Prize for Pas-par-tu
2004 – Best Short Documentary, Divercine – Children and Youth Film Festival, Montevideo
2003 – Antorchas Foundation Grant for Artistic Creation
2003 – First Prize, Prix Jeunesse International

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Teaching and Research in Higher Education​

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2022–2025 – PhD candidate in Compositional Algorithms and AI applied to Sound Art (Defense October2025)
2024 – Music and Robotics Workshop, Universidad de San Andrés (UdeSA)
2022 – Advisor for SIED (Distance Education System)
2022 – Composition Masterclass, Universidad Austral
2022 – Creative Thinking Masterclass for SITE
2021 – Filmscoring Seminar, Cursos Nuestra Mirada
2021 – Masterclass The Art of Sonification, Ministry of Science, Technology and Innovation (C3)
2021 – Lecture Fellini and Music, Museo Nacional de Arte Decorativo, Buenos Aires
2019 – Online teaching in Graphic and Sound Design, Specialization in Virtual Learning Environments
2018 – Researcher at the Vice-Rectorate for Research and Academic Innovation, Universidad Católica Argentina (UCA)
2017 – Associate Professor, MBA in Creativity, Universidad Austral
2017 – Associate Professor, MBA in Videogames (Sound Design), Universidad Austral
2017 – Founder and Director of Banda de Robots, transdisciplinary workshop in Art, Science, and Technology
2017 – Researcher in Music Robotics and Sound Specialization
2016 – Director of the Music and Technology Department, Faculty of Arts and Musical Sciences, UCA
2016 – Associate Professor, MBA in Innovation (The Origins of Sound), Universidad Austral
2016 – Full Professor of Sound Art, Record Production, and Soundtrack Design II, Bachelor in Film Music, UCA
2015 – Associate Professor, Sound Design for Videogames, MBA Universidad Austral
2015–present – Creator and Director of Robots in Concert, Fundación Telefónica
2014–present – Director of the Bachelor’s Degree in Film Music, Universidad Católica Argentina
2013–present – Full Professor of Musical Production III and Applied Acoustics, Bachelor in Music Production, UCA
2010–2015 – Full Professor of Musical Production I, II, III, Bachelor in Music Production, UCA
2010 – Design and implementation of the Bachelor’s Degree in Soundtrack Design, FACM, UCA
2008 – Full Professor in Sound Design Workshop, Master’s in Audiovisual Communication (MaCA), UCA
2007 – Deputy Director of TECAT (Experimental Workshop in Science, Art, and Technology), UCA
2003–2010 – Full Professor of Musical Production I, II, Bachelor in Music Production, UCA
2003–2010 – Full Professor of Applied Computing II, III, Bachelor in Music Production, UCA

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Musical Productions and Recordings



2023 – Amanecer (Carolina de la Muela), single – Lead & backing vocals recording, editing
2023 – Tan Preciosa (Carolina de la Muela), single – Co-production, editing
2023 – 1000 Años Luz (Carolina de la Muela), single – Lead & backing vocals recording, editing
2022 – Echarme a Correr (Carolina de la Muela), single – Editing, sound design
2021 – Esenciales (Carolina de la Muela), EP – Co-production, editing, mixing
2020 – Hoy es Mañana (Carolina de la Muela), EP – Co-production, editing, sound design
2018 – Tríos con Aires Argentinos (Trío Alberto Williams) – Executive production
2017 – LOLA en Canciones (Carolina de la Muela – CANELA) – Executive production
2012 – Música Barroca Sudamericana: Orejón y Aparicio – Triple album (Lima, Perú) – Editing, mixing
2009 – Compositores Argentinos del Siglo XX: El Mosaico Musical (Antonio Formaro) – Executive production
2009 – Mendelssohn: Piano Works Inspired by his Travels to Ireland (Antonio Formaro) – Executive production
2008 – Liturgical Argentine Music of the 20th Century – Editing, mixing
2008 – Alfiler – Executive production
2005 – UNO (Carolina de la Muela) – Editing
2002 – Canela cuenta cuentos – Executive production
1999 – Cuatro Elementos – Assistant editor (First Prize, SUTHER Award)

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​Consulting/Design for Cultural and Performative Spaces / Studio and Broadcast Design

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2024 – Consulting for the construction of the “Templo Sonoro” auditorium, Punta del Este, Uruguay (ENKEL Group)
2019 – Acoustic consulting and construction management for the executive meeting room, EPECUEN S.A.C.I.F.I.A.
2019 – Design and construction management of the recording studio at the Faculty of Arts and Musical Sciences, UCA
2019 – Technical advisory for hybrid and remote extended-classroom transmissions, Rombo Classrooms (UCA)
2018 – Design and construction management of Segno Sound recording studio
2018 – Sound curatorship and installation for the exhibition Antártida by Charly Nijensohn, MAR Museum, Mar del Plata
2018 – Classroom design consulting for the INNLAB Academic Innovation Laboratory (UCA)
2018 – Sound setup for exhibitions at Barro Art Gallery (works by Mónica Girón)
2017 – Acoustic consulting for the Santa Cecilia Auditorium
2017 – Sound curatorship for BELLICO by Martín Bonadeo, Espacio Fundación Telefónica
2017 – Sound design for Pasto Termosintético by Martín Bonadeo (arteBA Award-winning installation)
2016 – Acoustic consulting for the Juan Pablo II Auditorium (UCA)
2015 – Acoustic consulting for the renovation of Fundación Telefónica’s exhibition space
2014 – Sound curatorship and installation for Estado de Emergencia by Charly Nijensohn, Espacio Fundación Telefónica
2014 – Acoustic and technical consulting for the MaCA broadcasting and radio production studio
2011 – Design and construction management for Canela Producciones broadcast studio

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Film Scoring / Sound Design / Mixing

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2025 – La Eternidad – Teresa Pereda (Video Art Film) – Original Score, Sound Design & 5.1 Mix
2025 – Emilia (Short Film) – Original Score, Sound Design & 5.1 Mix
2025 – Lying in Waiting (Feature Film) – Sound Design & 5.1 Mix
2025 – Cobalto 60 (Documentary Film, VIX) – Sound Design & 5.1 Mix
2024 – Ethernia (Short Film) – Sound Design & 5.1 Mix
2024 – Near the River (Documentary Film, BAFI – ONA SOUNDS) – Sound Design & 5.1 Mix
2024 – Adiós Madrid (Feature Film) – Sound Design & 5.1 Mix
2023 – El Banquete (Feature Film) – Original Music, Sound Design & 5.1 Mix
2023 – Maravillas de Argentina (Documentary Film) – Sound Design & 5.1 Mix
2022 – Del Potro (Mini-series, Star+) – Sound Design & 5.1 Mix
2022 – Jugada Peligrosa (Documentary Film, HBO) – Sound Design & 5.1 Mix
2022 – Javi y el Club del Árbol (TV Series, Disney+) – Original Music, Sound Design & 5.1 Mix
2022 – Mind Blowing Breakthroughs – Season IV (26 Episodes) – Original Music
2022 – Los Ladrones de Siempre (Feature Film, Netflix) – Sound Design & 5.1 Mix
2021 – Harry Potter Mobile Game Teaser (ONA SOUNDS) – Sound Design & Mix
2021 – Pérez Roldán (Documentary Film, NatGeo / Disney+) – Sound Design & 5.1 Mix
2021 – Shared Vision (Documentary Film, ONA SOUNDS) – Sound Design & 5.1 Mix
2021 – Formicario (Astrolab Motion) – Original Music, Sound Design & Mix
2020 – WAVES (Independent Documentary Film) – Sound Design & 5.1 Mix
2019 Javi y el Club del Árbol (DISNEY+). Original Music & Sound Design, Mix 5.1
2019 Mind Blowing Breakthroughs Season III (26 episodes). Original Music & Sound Design / MIX
2019 Game of Thrones Game Teaser with ONA SOUNDS. Sound Design & MIX
2019 Colectivo Imaginario, TN. Opening (Original Music)
2017 Vanity Card Opening, FOX DIGITAL FIS. Original Music & Sound Design / MIX
2018 Winter Games Opening, FOX SPORTS. Original Music & Sound Design / MIX
2018 Toys Alive (Mobile Game). OST & Sound Design
2017 En qué creen los que no creen, Canal Encuentro. Opening Music
2017 Borges y el Laberinto, Canal Encuentro. Opening Music & Original Soundtrack
2017 Canal Encuentro Official ID. Original Music
2017 ECTV (Ecuador TV). Branding and Audiologos
2017 Mind Blowing Breakthroughs Season II. Original Music & Sound Design / MIX
2017 Soccer Idols, History Channel. Opening Music
2017 Gourmet Colombia, Gourmet Channel. Opening Music
2016 Superhumanos, NatGeo. MIX 5.1
2016 Café San Juan, FOX Gourmet Channel. Opening Music
2015 Mind Blowing Breakthroughs Season I. Original Music & Sound Design / MIX
2015 Branding and Audiologos, Canal Encuentro. Original Music & MIX
2015 Asombrosamente, Nat Geo. Opening Music, Original Soundtrack / MIX
2015 La Mesa Amarilla. Opening Music
2015 Espejo Retrovisor, History Channel. Opening Music
2014 Branding and Audiologos, ECTV / Canal Encuentro. Original Music & MIX
2014 Gladiadores del Fútbol, History Channel. Sound Design & MIX
2014 Alas del Bicentenario, Argentinian Air Force History. Original Music, Sound Design & Mix
2014 Científicos Industria Argentina. Opening Music
2014 Geografías, Canal Encuentro. Opening Music & Original Soundtrack
2013 Sumito, Gourmet Channel. Opening Music
2013 Branding and Audiologos TV Pública, Canal Encuentro. Original Music & MIX
2013 No Signal (Film). Sound Design & MIX 5.1
2013 Más que una fiesta, Gourmet Channel. Original Music
2013 Terruños de Latinoamérica, Gourmet Channel. Original Music
2012 Narda en Marruecos, Gourmet Channel. Original Music
2012 La Cocina de Bernarda, Gourmet Channel. Opening Music
2012 La Ruta del Modernismo, Canal Encuentro. Opening Music & Original Soundtrack
2011 Neightburps (Mobile Game). OST & Sound Design
2011 Narda Lepes – India, Gourmet TV. Opening Music
2011 Reporteros de la Historia. Original Music & Sound Design / MIX
2011 Civilizaciones. Original Music & Sound Design / MIX
2011 Nuestro Mapa. Opening & Original Soundtrack
2011 Alterados por Pi, Canal Encuentro. Opening Music
2010 Vinos de Francia, Gourmet Channel. Opening Music & Original Music
2010 Vinos de Italia, Gourmet Channel. Opening Music & Original Music
2009 English For All, Clarín. Original Music & MIX
2009 Dos de Copas. Opening Music
2009 Charged, FXTV. Opening Music
2008 Vinos de España, Gourmet Channel. Opening Music
2008 Death by Natural Causes, Nat Geo. Opening Music
2007 Científicos Industria Argentina, Canal Encuentro. Opening Music
2007 Huellas del Arte Argentino, Canal (á). Opening Music
2006 Argentina, una Historia, Canal Encuentro. Opening Music & Original Music
2006 Lo que hay que decir (Film). Opening Music & Original Music
2006 Capocómicos, Canal (á). Opening Music
2005 Explora, Canal Encuentro. Opening Music
2005 Colectivo Imaginario, TN Channel. Opening Music
2005 FOX FX Latam. Music Branding
2004 Nat Geo Latam. Music Branding
2004 Europa Europa Channel. Main ID
2004 P+E. Sound Branding and Channel IDs
2003 NatGeo TV, Canal 13. Opening Music
2003 El Grito Sagrado (Film). Original Music
2002 Tenaris. Audiologo
2001 El Periodismo que viene, TN Channel. Opening Music
2001 Historia del Chocolate, Gourmet TV. Opening Music
2001 Las Rutas del Vino, Gourmet TV. Opening Music
2001 Pinceladas, Canal Encuentro. Opening Music
1998 La Nota, Canal (á). Opening Music

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Publications / Lectures / Symposia

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2025 Doctoral Thesis: Algorithmic Composition Techniques Applied to Sonic Arts. Universidad Católica Argentina (UCA)
2025 Workshop “Banda de Robots”. Universidad de San Andrés (UdeSA)
2024 Interview for Cultural San Martín, Buenos Aires
2024 Paper KLOK: Applied Mathematics in Composition within the Context of Sound Installation
2023 Interview “Artistic Visions on Post-Humanism”, MDZ Online
2023 Talk “Creating from Silence” – Creativity Roundtable, FAUS SUMMIT 2023
2022 Paper Dandelion: Algorithmic Composing Techniques Applied in Sound Sculptures
2022 Paper Analysis of John Chowning’s Phonè (1980–81)
2022 Talk on creativity. SITE TALK Series
2021 Lecture series “The Art of Sonification”, Museo C3 / MINCYT
2021 Talk “The Art of Sonification”, BIOS Project – BIOART BIENNIAL 2021
2021 Roundtable “Fellini and Music”, MNAD (National Museum of Decorative Arts)
2020 Interview on creativity and sound. Punto Convergente TV
2018 Presentation “Banda de Robots”, Pedagogical Innovation Conference
2018 Paper Christological Symbols in the Vocal Music of W.A. Mozart
2016 Talk on teaching practices in higher education. Organized by La Nación
2016 Lecture “Acoustic Sound Sculptures”, JAMT – Universidad de Quilmes
2015 Presentation Dandelion: Acoustic Sound Sculptures, SONAR+D, Usina del Arte
2014 Lecture “Music and Cinema: The Color”, 11th Week of Music and Musicology
2014 Publication “The Cosmic Rhythm”, in Pacha Kutiq Wanka, edited by Martín Bonadeo
2011 Symposium SATIR 2011 (Science, Art and Technology Interdisciplinary Research), organization, lecture and
moderation. UCA – Iowa State University
2010 Presentation of the opera Wallontu Mapu, 7th Week of Music and Musicology
2010 Moderator “New Forms of Dramatic Musical Works: Music, Film, Audiovisual Sequence and SoundDesign”
2009 Paper TECAT: A Space for the Integration of Knowledge, Consonancias Journal, Vol. 8, No. 28
2007 Lecture “Music Production and Sound Design”, Expo Argentina Educativa (Clarín)
2006 Presentation of Wallontu Mapu, Week of Music and Musicology
2005 Paper Content Production and Management: The Influence of New Technologies in Art, First Interdisciplinary and
Inter-regional Conference on Creative Industries

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